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This text delves into the fascinating theme of the influence of Kabbalah on architecture and art, specifically focusing on the Broumov group of churches. The analysis suggests that Kabbalah could have played a significant role in shaping the architectural elements, spatial arrangement, and symbolism of these sacred structures. Kabbalistic symbols, such as the Sephirotic Tree of Life or the symbolism of the number 10, may appear as part of the decoration, emphasizing the connection between heavenly and earthly spheres. Kabbalah provides a architectural perspective that utilizes mystical teachings in designing harmonious proportions and spatial arrangements for buildings and urban complexes, reflecting teachings on harmony and balance. Symbolic geometry, based on Kabbalistic principles, can be presented either explicitly or subtly for those with knowledge and understanding of these concepts. Lastly, the concept of the monastic landscape is transformed into a harmonious habitat connecting social, spiritual, and economic aspects of life. The Benedictine order aimed to create a community that reflected the needs of both the spirit and the landscape, leading to the establishment of a more integrated and harmonious environment. The Broumov group of churches not only presents architectural masterpieces of the Baroque period but also signifies the profound spiritual significance of the connection between the human and the transcendent. This text provides a pilot study on how architecture can serve as a means of connecting people with the spiritual dimension and the landscape, demonstrating how physical matter can carry an invisible yet strongly felt significance. It serves as an example of how historical cultural heritage can continue to inspire and enrich our understanding of the world, becoming the subject of further intensive research.