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@inbook{8340,
author = {Leška, Rudolf},
address = {Cham},
booktitle = {Digital Peripheries: The Online Circulation of Audiovisual Content from the Small Market Perspective},
doi = {http://dx.doi.org/10.1007/978-3-030-44850-9_16},
edition = {1.},
editor = {Petr Szczepanik, Pavel Zahrádka, Jakub Macek, Paul Stepan},
keywords = {copyright; neighboring rights; collective management; moral rights; film},
howpublished = {tištěná verze "print"},
language = {eng},
location = {Cham},
isbn = {978-3-030-44849-3},
pages = {273-290},
publisher = {Springer},
title = {Sync That Tune! The Role of Collective Management of Rights in Film Production and Distribution},
url = {https://www.springer.com/gp/book/9783030448493},
year = {2020}
}
TY - CHAP
ID - 8340
AU - Leška, Rudolf
PY - 2020
TI - Sync That Tune! The Role of Collective Management of Rights in Film Production and Distribution
VL - Springer Series in Media Industries
PB - Springer
CY - Cham
SN - 9783030448493
KW - copyright
KW - neighboring rights
KW - collective management
KW - moral rights
KW - film
UR - https://www.springer.com/gp/book/9783030448493
N2 - Whenever a film is produced and distributed, a license to use the music and sound recording may be needed. While the film producer usually owns the copyright in the film and underlying works or actors’ performances, responsibility for the clearance of rights in music and sound recordings remains largely on the shoulders of users (broadcasters, cinema operators, VOD platforms). They usually need to get a license through a CMO or directly from the rightsholder. In the case of musical works, the procedures are largely standardized, mainly in offline use. When it comes to licensing the rights for cross-border use online or when phonogram producers and performers are involved, the licensing situation becomes messy which introduces significant uncertainty into the market. Instead of advocating state regulation, the author pleads for the development of cross-border industry standards and procedures, good practices and reciprocal agreements between CMOs to be developed in a collaboration of global organizations representing rightsholders.
ER -
LEŠKA, Rudolf. Sync That Tune! The Role of Collective Management of Rights in Film Production and Distribution. In Petr Szczepanik, Pavel Zahrádka, Jakub Macek, Paul Stepan. \textit{Digital Peripheries: The Online Circulation of Audiovisual Content from the Small Market Perspective}. 1st ed. Cham: Springer. p.~273-290. Springer Series in Media Industries. ISBN~978-3-030-44849-3. doi:10.1007/978-3-030-44850-9\_{}16. 2020.
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