NA_AP Audiovisual Propaedeutics

Vysoká škola finanční a správní
zima 2026
Rozsah
1/2/0. 6 kr. Ukončení: zk.
Vyučující
doc. MgA. Martin Blažíček, Ph.D. (cvičící)
Garance
doc. MgA. Martin Blažíček, Ph.D.
Katedra společenských věd (FES, KSV) – Katedry – Vysoká škola finanční a správní
Kontaktní osoba: Mgr. Petra Dovhunová
Rozvrh seminárních/paralelních skupin
NA_AP/cNCPH: Út 13:00–13:45 S26, Út 14:00–14:44 S26, M. Blažíček
NA_AP/pNCPH: Út 12:15–12:59 S26, M. Blažíček
Omezení zápisu do předmětu
Předmět je otevřen studentům libovolného oboru.
Cíle předmětu

The course introduces students to the fundamental areas and topics of audiovisuality. It will provide an overview of the history, theoretical and methodological concepts, and approaches to audiovisual culture, as well as its perception and interpretation.

Výstupy z učení

The course will explore historical and contextual connections of various audiovisual elements. The course's theoretical foundation will be complemented by visual and critical analysis, including practical examples and exercises.

Osnova
Understanding media: methods and approaches / Modernist concepts of cinema: photogénie, manifestos, film as intermedium. / Film as codes and signs, mise-en-scène, language of film / Film genres / Auteur cinema / Realism and documentary approaches / Other cinemas / Feminist theory / Postmodernism, film, and video / New media, hypermedia, remediation / Identity and social networks / Operational images
Literatura
    povinná literatura
  • Monaco, James. How to Read a Film: Movies, Media, and beyond Art, Technology, Language, History, Theory. 4th ed. Oxford University Press, 2009.
    doporučená literatura
  • Thompson, Kristin, and David Bordwell. Film History: An Introduction. McGraw-Hill, 2003.
  • Bordwell, David, Kristin Thompson, and Jeff Smith. Film Art: An Introduction. 12th ed. McGraw-Hill, 2020.
  • MacKenzie, Scott. Film Manifestos and Global Cinema Cultures: A Critical Anthology. 1st ed. University of California Press, 2014.
  • Manovich, Lev. The Language of New Media. The MIT Press, 2002.
  • Bolter, Jay David, and Richard Grusin. Remediation: Understanding New Media. MIT Press, 2000.
  • Farocki, Harun. “Phantom Images.” Public: Art, Culture, Ideas, no. 29 (2004): 12–22.
  • Meixnerová, Marie. #mm Net Art: Internet Art in the Virtual and Physical Space of Its Presentation. Pastiche Filmz, 2014.
  • Constable, Catherine. Postmodernism and Film: Rethinking Hollywood’s Aesthetics. Wallflower press, 2015.
  • Clayton, Sue, and Laura Mulvey, eds. Other Cinemas. Politics, Culture and Experimental Film in the 1970s. Bloomsbury Academic, 2021.
  • Gunning, Tom. “The Cinema of Attraction[s]: Early Film, Its Spectator and the Avant-Garde.” In The Cinema of Attractions Reloaded, edited by Wanda Strauven. Routledge, 2025.
  • Mulvey, Laura. Visual and Other Pleasures. Palgrave, 1989.
  • Altman, Rick. Film, Genre. BFI, 1999.
Výukové metody
Lectures, class discussions, exercises, individual project
Metody hodnocení
Students will be evaluated based on a short essay on a given topic and a subsequent discussion.
Vyučovací jazyk
Angličtina
Další komentáře
Předmět je dovoleno ukončit i mimo zkouškové období.
Předmět je zařazen také v obdobích zima 2024, zima 2025.
  • Statistika zápisu (nejnovější)
  • Permalink: https://is.vsfs.cz/predmet/vsfs/zima2026/NA_AP